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TEA DRINKING CUSTOMS OF THE WORLD

THE TRADITION OF CHANOYU

RIKYU'S CHANOYU AND ITS LINEAGE

THE TEA ROOM AND THE TEA GARDEN

Traditional houses and the tea room

Techniques and materials

Omotesenke's tea rooms and gardens

The Juraku residence

The restoration of the Sen family residence

Sotan's one-and-a-half mat Fushin'an tea room

Koshin's Fushin'an

Omotesenke before the Great Fire of 1788

After the Great Fire of Tenmei -The structure of the tea garden up to the present day

From the Nakakuguri gateway to the Zangetsutei tea room

Fushin'an and the inner tea garden

The Shichijo tea room

Sodo (Founder's Hall)

The Hogobari tea room

The new practice room (Keikoba)

The appearance of the Omotesenke

FORMS AND BEHAVIOR

TEA UTENSILS

Sodo (Founder's Hall)

From the outer waiting arbour (sotokoshikake), one passes through the raised bamboo gate (agesudo), crosses the dry moat and takes the path of stepping stones that remind one of a lonely path deep in the mountains, coming at last to the Sodo (Founder's Hall). In the dry moat there is a big wash basin made from a natural stone which is set so that you have to squat down to use it. This is the wash basin from the two mat room at the Juraku residence.

The thatched roof slopes steeply, and has an atmosphere of solemnity befitting a sanctuary. The Sodo that Joshinsai built also had a thatched roof. The room has four-and-a-half mats, with an upper level opposite the nijiriguchi (crawl-through entrance). There is a circular window at the back of this raised area, behind which is the Rikyudo where Rikyu's image is enshrined. The toko (alcove) next to the raised area is facing sideways. The host's mat has a doko (utensil cabinet set into the wall) and the hearth is between the host and guests. The nakabashira (central pillar) is on the front corner of the hearth. There is a shikirikabe wall between the host and guests with a katoguchi (arched doorway). The host opens the taiko-busuma (sliding door with paper covering the whole door including the frame) after carrying in the utensils and arranging them. This kind of structure is called Doan-gakoi. In the time soon after the revival of the fortunes of the Sen family there was a mukogiri (hearth cut between host and guests) three mat Doan-gakoi, and this is a suitable structure for a Founder's Hall. There are few windows, giving a feeling of solemnity. Through the operation of the skylight, light can be let into the whole room. The corner pillar of the host's mat is partly hidden. This is called yojibashira.

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Outer waiting arbour



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